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One Cut, Two Phases

In many classical texts, the phrase “yi dao liang duan” (一刀兩段) is often misunderstood. Most readers assume “duan” means “to sever,” as if one cut splits something into two.

But in my view, the “duan” here is closer to “段落” — a phase or segment. It refers to two paths within a single strike.

Imagine this:
• From the seigan (middle guard), you shift into shakko (wheel guard).
• You initiate an upward swing, preparing to rise against your opponent.
• Midway, the opponent presses down from above.
• In that instant, you redirect — elevating your stance and turning the upward swing into a downward cut of suppression.

This is not two separate strikes, but one continuous action with two phases of trajectory, adapted in real time.

For martial artists, it is a lesson in responsiveness. For leaders and professionals, it is a reminder:
• A strategy may begin in one direction.
• Mid-course, conditions shift.
• Success depends not on clinging to the first plan, but on seamlessly turning it into the right response.

In swordplay, as in business — sometimes, the true mastery lies not in the first motion, but in the pivot.

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Chang Wenteng is the senior student and last indoor disciple of Luo Dexiu, founder of Yizong Baguazhang. For nearly 15 years, he has engaged in intensive weekly private study under Master Luo, developing a refined understanding of internal mechanics, structural alignment, and movement strategy. Graduating with a degree in Physics from National Chiao Tung University, Wenteng applies a systems-level analytical approach to martial practice—decoding principles through the lens of force dynamics and structural mechanics. This scientific foundation enables him to bridge traditional martial concepts with clear, functional explanations. His martial experience spans disciplines, from Yagyu Shinkage-ryu swordsmanship to MMA competition, demonstrating his ability to adapt and integrate core principles across diverse systems. Wenteng’s teaching transcends stylistic boundaries. He focuses on shared internal principles that hold true regardless of form or lineage, helping practitioners develop proprioception, timing, and multi-joint coordination. His method is grounded in sensory clarity and technical simplicity, guiding students toward profound functional insight and cross-system coherence. Rather than promoting stylized movement or emotional narratives, Wenteng’s work emphasizes applicable, real-world skill—the transmission of embodied knowledge through dedicated practice.

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