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Ma Bu First: turn your horse stance into an accelerator

Most people feel burning quads in Ma Bu, but the real engine is at the hips and pelvic floor. When you open from the hips, sink with control, then recoil elastically, you convert Ma Bu from a static hold into stored energy for fast movement.

What you are really training in Ma Bu

Hip-led external rotation (turnout) so knees track over toes Pelvic floor and deep hip tissues that lengthen on the way down and spring back on the way up Whole-foot pressure and quiet spine for clean force transmission

Shared mechanics across traditions

Sumo shiko: wide turnout, deliberate lift and place, feel the floor rebound. Māori haka: wide stance, knees pressing out, rhythmic stamps that teach you to send force into the ground and receive it back. Ballet plié (second position, plié en seconde): toes turned out, knees align with toes, heels usually stay on the floor, spine long. This is the same hip-first opening ballet calls turnout. We borrow the movement qualities, not cultural symbols.

Practice cues for Ma Bu

Open → Sink → Recoil → Go

Lead from the hips. Think of the femur rotating outward inside the socket so knees and toes point the same way. Sink with control. Weight even on both feet, whole foot grounded, spine long. Engage the pelvic floor. Lowering feels like a gentle widening, rising feels like drawing support from pelvic floor to lower abdomen. Let the ground send you. Each press into the floor should give you a small rebound you can ride into the next step.

Two-minute micro session

Demi-plié en seconde × 8 (3 counts down, 1 hold, 3 up; knees track over toes) Shiko stomps × 10 (alternate sides, quiet torso, feel rebound) Grand plié en seconde × 4 (heels remain on the floor, keep the axis) Haka-style activation 20 s × 2 (wide stance with knees out, rhythmic exhale, add one quick forward step or lateral shift after each recoil)

Why it works

Ma Bu becomes a storage and release cycle. Hip turnout aligns the chain, the pelvic floor adds elastic return, and the foot transfers it. Once you train these pieces as one line, Ma Bu stops being just leg burn and starts being your launch pad.

#MaBu #HorseStance #Shiko #Haka #Plié #Turnout #Hips #PelvicFloor #InternalMartialArts #Training #YizongBaguazhang

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Chang Wenteng is the senior student and last indoor disciple of Luo Dexiu, founder of Yizong Baguazhang. For nearly 15 years, he has engaged in intensive weekly private study under Master Luo, developing a refined understanding of internal mechanics, structural alignment, and movement strategy. Graduating with a degree in Physics from National Chiao Tung University, Wenteng applies a systems-level analytical approach to martial practice—decoding principles through the lens of force dynamics and structural mechanics. This scientific foundation enables him to bridge traditional martial concepts with clear, functional explanations. His martial experience spans disciplines, from Yagyu Shinkage-ryu swordsmanship to MMA competition, demonstrating his ability to adapt and integrate core principles across diverse systems. Wenteng’s teaching transcends stylistic boundaries. He focuses on shared internal principles that hold true regardless of form or lineage, helping practitioners develop proprioception, timing, and multi-joint coordination. His method is grounded in sensory clarity and technical simplicity, guiding students toward profound functional insight and cross-system coherence. Rather than promoting stylized movement or emotional narratives, Wenteng’s work emphasizes applicable, real-world skill—the transmission of embodied knowledge through dedicated practice.

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